My work begins with a question—often about care, labor, and the ways inequitable systems shape everyday life. The work is always political and personal, rooted in questions I genuinely want answers to. Because each project starts from a specific inquiry, the work may not appear visually consistent across forms or outcomes. What unifies it is not a fixed aesthetic, but a sustained practice of inquiry. The differences between works reflect the differences between the questions themselves.

I respond to these questions using a wide range of forms, including sound, video, two-dimensional work, sculpture, and installation. I think of exhibitions as fully formed, multifaceted answers—spaces where multiple materials, temporalities, and modes of engagement work together to address a single line of inquiry.

When a question demands it, I teach myself new tools or processes—such as constructing a miniature lathe from a vintage yarn ball winder—allowing method to emerge directly from inquiry. Textile practices ground both my thinking and my approach to making, providing a consistent framework through which structure, repetition, and time-based labor recur across projects. In the studio, the work unfolds through material experimentation, revision, and constraint, remaining deliberate yet responsive to what materials reveal.